CONTRIBUTE TO THE RETURN OF THE SCULPTED DRAGONS OF THE CERNUSCHI MUSEUM
Two dragons with golden eyes, surrounded by flames and clouds in a decor enhanced with red adorn two carved wooden panels twelve meters long. Evoking rain, the dragons represent an auspicious omen to ward off fires.
The finesse of the execution and the technical mastery of these panels suggest a work by Takeshi Nobuyuki (1751-1824), a famous sculptor of the Edo period (1603-1868) highly sought after by informed collectors who appreciated his waves. and his dragons.
This exceptional piece is a very beautiful element of Japanese architecture.
Offered to Henri Cernuschi by Sosthène Paul de Turenne, one of the first French diplomats in Japan, it hung high behind the large Buddha in the large room on the first floor of his private mansion built to exhibit some 5000 works acquired in China and Japan. Japan, during his great trip to Asia from 1871 to 1873.
The restoration of the long frieze of dragons replaced in the place chosen by Henri Cernuschi would give back to the Buddha room (Kwok room) all its magnificence.
It would accompany the celebration of the 150th anniversary of the return from Asia of Henri Cernuschi, a pioneer of Japanism, to which the museum will devote a major retrospective exhibition in 2003.
The overall cost of this operation is 120 000 €.
In exchange for your donation as an adopter:
- You will benefit from tax advantages (the excess of which you can carry forward over the following 5 years, in the event that the limits below are exceeded):
- - for individuals, deductibility (income tax) of 66% of the sums paid, within the limit of 20% of taxable income.
- - for companies, tax deductibility of 60% of the amount of the donation (up to 2 million euros), up to a total limit of 20 € or 000 per thousand of annual turnover (excluding tax).
- Your name may appear on the Sponsorship page of this SAMC site (if you give us express authorization).
- You will be able to follow your adopted work, as it is restored, and discover the most significant stages (alongside the curator in charge and / or the restoration teams), until his return to the museum.